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Gašper Fatur View Drop Down
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    Posted: 10.Mar.2024 at 17:59
FUCK THE WORLD
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Banshee Quote  Post ReplyReply Direct Link To This Post Posted: 09.May.2023 at 23:30
LOL
Rockers of the underground, black and heavy is our sound! (Running Wild)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 09.May.2023 at 22:12
Originally posted by Banshee Banshee wrote:

Ne, zadnje čase poslušamo samo Laut und hart stark und schnell. Baje so ful razburljive sanje potem. LOL

Loh bi napisala 'Ja, gledam Menouvor butlege' pa bi poj na podlagi tvoje glasbene izbire v nadaljevanju posta postal ornk sumljiv glede 'dejstva', ampak tvoj 'ne' mi pa potrjuje, da si pedr... še dobr zate daj ta tedn eurosong a n Shocked

Dej, na, prestop na temno stran:



Fak keri škornji HeartHeartHeart ... če bi jest mu take škornje, jest še gat ne bi nosu... vrjetn si jih zarad cene škornov niti ne bi mogu prvošt heh... sploh pa ne bi mel potrebe svoje desne pesti zabit veverici u rit, kokr Louis na tej slikci... predn se kdo obes na njegov camel-toe, tej 'posebni opremi' gredo zasluge za Dark Avenger od 3:50 do 4:02 :P
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stratego Quote  Post ReplyReply Direct Link To This Post Posted: 09.May.2023 at 09:09
Joey DeMaio's "Words Of Power" spoken-word tour 2023 confirmed dates:

Nov. 1 - Berlin, Germany - Kesselhaus
Nov. 2 - Leipzig, Germany - Hellraiser
Nov. 6 - Oberhausen, Germany - Resonanzwerk
Nov. 7 - Münster, Germany - Jövel Club
Nov. 8 - Hamburg, Germany - Logo
Nov. 9 - Bremen, Germany - Modernes
Nov. 12 - Mannheim, Germany - MS Connexion
Nov. 13 - Offenbach, Germany - Capitol
Nov. 14 - Erlangen, Germany - E-Werk
Nov. 15 - Munich, Germany - Backstage

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Banshee Quote  Post ReplyReply Direct Link To This Post Posted: 08.May.2023 at 23:42
Ne, zadnje čase poslušamo samo Laut und hart stark und schnell. Baje so ful razburljive sanje potem. LOL
Rockers of the underground, black and heavy is our sound! (Running Wild)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 08.May.2023 at 22:31
A gle'ate kej kvalitetne Manowar bootlege iz njihovih zlatih časov, al ste pedri?... sej ni treba odgovarjat, k itak že poznam odgovor...

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Banshee Quote  Post ReplyReply Direct Link To This Post Posted: 16.Apr.2023 at 16:37
LOL
Rockers of the underground, black and heavy is our sound! (Running Wild)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote vulgaris Quote  Post ReplyReply Direct Link To This Post Posted: 16.Apr.2023 at 14:02
Clap
Originally posted by Kristjan Kristjan wrote:


Big smileClap


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 15.Apr.2023 at 22:29
A veš, da sm probu... ampak sm kr na 'stark' poklopu budilko in 'schnell' zaspau nazaj.... sosedje pravjo, da je blo tisto jutro moje smrčanje izredno 'laut', sodeč po rjuhah je blo pa tud nočno prdenje kr 'hart' Wacko

Tak miks angleščine pa nemščine ni za nkamr... upam, da du konca živlena oz. vsaj še 4 dni, ene besedice v tem jeziku nom slišou.... pa na splošno me švapščina na neki spominja, pa ne morem določit točno na kaj:


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Banshee Quote  Post ReplyReply Direct Link To This Post Posted: 09.Apr.2023 at 22:33
Originally posted by Kristjan Kristjan wrote:

Enkat sm si nastavu tazadno plato od Maidnov za budilko, pa sm poj™ ceu tedn prespau, k je bla tolk dolgočasna...


Potem si pa nastavi za budilko Manowar Laut Und Hart Stark Und Schnell, se boš vedno še pred alarmom zbudil, da ti ne bo treba komada slišati.
Rockers of the underground, black and heavy is our sound! (Running Wild)
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 02.Mar.2023 at 22:32
Enkat sm si nastavu tazadno plato od Maidnov za budilko, pa sm poj™ ceu tedn prespau, k je bla tolk dolgočasna...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote robert_balordo Quote  Post ReplyReply Direct Link To This Post Posted: 24.Feb.2023 at 14:39
zadnja plata maidnov je pa res za nič. ma 1000x rajši poslušam take manowar komade :)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 24.Feb.2023 at 01:21
En slabših Manowar komadov ampak boljši kot vsak komad na zadnji Maiden plati. Balordo bo edini ki se bo strinjal in boli me đoli. LOL
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 16.Feb.2023 at 21:34
Originally posted by Pero Pero wrote:

Chorus (in German):
Wir sind ewige Helden
Unser Herz wird immer schlagen
Wir kämpfen für Freiheit und Ehre
Unsere Titten werden nie vergehen

hi hi hi hi
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 16.Feb.2023 at 21:33
Originally posted by Stratego Stratego wrote:

...njihovih najbolj "die for metal" komadov....

 



KWIPMAĐAP DIZMON'EN!!!


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Pero Quote  Post ReplyReply Direct Link To This Post Posted: 16.Feb.2023 at 17:48
Tole mi je ChatGPT napisu, k sem reku, da je Joey DeMaio... 


Title: Eternal Heroes

Verse 1:
The battles have been fought
The wars have been won
But our legacy will live on
In a world that's free and true

Pre-Chorus:
We've sacrificed a lot
For what we believe and hold
We'll never be defeated
Our deeds will be forever told

Chorus (in German):
Wir sind ewige Helden
Unser Herz wird immer schlagen
Wir kämpfen für Freiheit und Ehre
Unsere Taten werden nie vergehen

Verse 2:
We've faced our destiny
And never been conquered by it
Our courage and our strength
Will always be evident in our deeds

Pre-Chorus:
We've sacrificed a lot
For what we believe and hold
We'll never be defeated
Our deeds will be forever told

Chorus (in German):
Wir sind ewige Helden
Unser Herz wird immer schlagen
Wir kämpfen für Freiheit und Ehre
Unsere Taten werden nie vergehen

Bridge:
We are warriors of light
Fighting against the darkness
Our oath will never break
We'll always stand for what we believe

Pre-Chorus:
We've sacrificed a lot
For what we believe and hold
We'll never be defeated
Our deeds will be forever told

Chorus (in German):
Wir sind ewige Helden
Unser Herz wird immer schlagen
Wir kämpfen für Freiheit und Ehre
Unsere Taten werden nie vergehen

Outro:
Our legacy will live on
In a world that's free and true
For we are eternal heroes
Our hearts will always beat anew.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Šujo Quote  Post ReplyReply Direct Link To This Post Posted: 16.Feb.2023 at 12:49
đizs krajst, pa to je predelan demo abbe iz leta 1978.....toj epitaf, kuplen v aldiju, majkemi. že 20 let se brcam, kdrkol poslušam nov menouvor komad, pa me ne izuči....
Fuck you and the horse you rode in on
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stratego Quote  Post ReplyReply Direct Link To This Post Posted: 15.Feb.2023 at 22:28
A tole besedilo so sestaviliiz random besed njihovih najbolj "die for metal" komadov Tongue.

Ne vem zakaj se mi je ob poslušanju pojavil prizor, kako v švabskem domu upokojencev žurirajo štirje 80+letni metalci tako da tolčejo s pestjo po mizi polnega piva in prepevajo tale metal šlager. Big smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 14.Feb.2023 at 22:58
V kolikor ne poje ''if you don't like us, go to job!!!'', sem pripravljen potrpet :D

Ta vikend sm najdu izredno kvaliteten bootleg iz trenutne turneje in se kitare zelo dobr slišjo - precej bolj passable kokr razni youtube posnetki.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote robert_balordo Quote  Post ReplyReply Direct Link To This Post Posted: 13.Feb.2023 at 23:56
ma daj! Pol Kristjan boš mogu v pekel, Adams poje "if you don't like us go to hell!" :DDDDDDDDDD

haha prvič slišim za te švabe feuerschwanz ma joj to je pa res grozno :D
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 11.Feb.2023 at 20:24
Fokkin' garbiđ od komada... tolk slabo, da grejo za kazen vsi moji Manowar CD-ji za en tedn u klet. Razmišlam, da bi menjal svojo Malovrh kolekcijo za 'Best of Feuerschwanz'... al pa 'Worst of' ... loh da je to isto, sam druga naslovnica.

putpis:
True Manowar fan

za popravt okus:



Drgač bi jih šel še kdaj pogledat... kar sem vidu setliste za to turnejo ni lih za dol past... 'seglih' pa bi blo fajn, da se pojav še kakšen ekstra poletni datum kje blizu.


Pa še en mind twister naključje iz obdobja, ko se je bend šele formiral - Žouwi je bil roadie za Black Sabbath na Heaven And Hell turneji, kjer je spoznal RTB-ja, v tem času je pa Eric Adams snemal demo z Bible Black, katerih basist je bil Craig Gruber, ki je bil basist Sabsov za časa produkcije Heaven and Hell.... vse gre v krogu, vse je povezano, nov kumad od Manowar je pa kurac!!!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 10.Feb.2023 at 20:02

Nov komad ima boljšo produkcijo kot komadi zadnjih 10 (al pa celo več) let, refren je malo glup/poppy (v stilu WOTW) ampak jebiga (ang. verzija baje še pride), kitice so pa odlične, sploh zadnja, Batio je kar je, ma za take nonote kot so zdej Manowar je res odlično. Za kocnert mi je pa zdej že kar žou da nism dobil nobega za it...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote robert_balordo Quote  Post ReplyReply Direct Link To This Post Posted: 10.Feb.2023 at 15:25
Nov komad s švabskim refrenom je zakon! Eric Adam je neverjeten kot vedno. Solo mi ni nekaj posebnega a je O.K. :) Mihael Anđelo ni Ross the Boss

Besedilo tako kot mora bit, klasica manowar lyrics generator - skratka TOP! Tudi produkcija je kr v redu, sigurno meni najboljši Manowar komad zadnjih 15 let.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 30.Jan.2023 at 21:17
Kr slabo zgleda oz. zveni kar je na videih, Adams neverjeten za svoja leta, iks tip na bobnih dobro nabija, Đowi je Đowi, MAB pa ni zvadil, pa tudi feelinga nima za RTB-ja skint... Skratka, ni neke panike da nism vidu v živo tega.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote robert_balordo Quote  Post ReplyReply Direct Link To This Post Posted: 30.Jan.2023 at 14:10
Michael angelo batio je totalna KATASTROFA v živo---ful fušira, komplet zajeba vse solaže, samo neki drka komplet ven iz tona...ne vem. Čudno res se mi zdi. Ni mi žal da nisem šel na ta koncert, sem jih videl samo 1x daljnega leta 2006 in takrat je bilo neverjetno
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 11.Dec.2022 at 15:51
Razmišljam da bi jih šou pogledat še 11-ič, v Brno, 26. januarja, karta je ~40 €. Zanima mogoče še koga?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cajhen Quote  Post ReplyReply Direct Link To This Post Posted: 11.Oct.2022 at 22:28
Gašper - kurba kok hud koncert je tole Clap MANOWAR za zmer ... to pa je večna muska epskih razsežnosti Hug HAIL! Beer
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 10.Oct.2022 at 23:54
Pri 9. minuti: Achilles, Agony And Ecstasy In Eight Parts
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 27.Jun.2022 at 23:37

Ful dobro (glede na to kaj je Manowar danes). Crap v primerjavi z zlato dobo, ampak najboljša stvar zadnjih 10 let. Digital EP "Highlights..." je pa kr komedija, 3 introti, ena balada in na koncu še ta komad.


Live posnetek iz Grčije par dni nazaj kaže da sta nonota kar v formi, sploh Adams vedno znova preseneča, pa zadnji bobnar je dober, kitarist pa slab.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 14.Jun.2022 at 22:29
Originally posted by Madafaka Madafaka wrote:

A kdo ve, kaj je blo s Hamzikom?


Spet igra z Anjo Rupel.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mrtupevc Quote  Post ReplyReply Direct Link To This Post Posted: 13.Jun.2022 at 11:50
Originally posted by Duumdohtar Duumdohtar wrote:

Originally posted by Mrtupevc Mrtupevc wrote:

To poslušal v bivši LP štacuni na Gornjem trgu v Ljubljani (če se kdo spomni imena, jaz se ga ne) nekje jeseni '96... Seveda sem mogu vinilko prec nabavtStar

Pomoje je bla to kr Vinilmanija. Tam sn redno izvaju "inventuro", haha.


Toooo, hvala! Vinilmanija je bla ja. Marsikej se je tam dobiloStar

In te plate so pravi slatkišiCool
Ole - OleOleOle;

Peterle - zakaj pa ne?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Madafaka Quote  Post ReplyReply Direct Link To This Post Posted: 10.Jun.2022 at 12:38
A kdo ve, kaj je blo s Hamzikom?

Raul artista, siempre Madridista!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Madafaka Quote  Post ReplyReply Direct Link To This Post Posted: 10.Jun.2022 at 12:26
Joey ima odlično priliko, da za big bang konec sestavi postavo Eric - Joey - Ross - David - Rhino ampak ne, neke no name tipe tlači noter, da mu ni treba keša delit okol...
Raul artista, siempre Madridista!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Pero Quote  Post ReplyReply Direct Link To This Post Posted: 10.Jun.2022 at 10:58
Manowar trenutno pod imenom Lords of Steel špilajo kratko nemško turnejo Shocked

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Poli Quote  Post ReplyReply Direct Link To This Post Posted: 10.Jun.2022 at 09:19
na žalost mi platenšpiler ne dela več, tko da te mogoče primem za besedo

Anything is possible     dec d uej

Be The Change You Want To See
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Šujo Quote  Post ReplyReply Direct Link To This Post Posted: 09.Jun.2022 at 22:54
ce kdo tega ne nuca, odkupujem 🤣
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Poli Quote  Post ReplyReply Direct Link To This Post Posted: 09.Jun.2022 at 22:28
Po moje sem vse svoje vinile nabavil tam. :) Ah, zlati cajti 90-ih.

Anything is possible     dec d uej

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Duumdohtar Quote  Post ReplyReply Direct Link To This Post Posted: 09.Jun.2022 at 18:34
Originally posted by Mrtupevc Mrtupevc wrote:

To poslušal v bivši LP štacuni na Gornjem trgu v Ljubljani (če se kdo spomni imena, jaz se ga ne) nekje jeseni '96... Seveda sem mogu vinilko prec nabavtStar

Pomoje je bla to kr Vinilmanija. Tam sn redno izvaju "inventuro", haha.
Doom za pogum.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Šujo Quote  Post ReplyReply Direct Link To This Post Posted: 09.Jun.2022 at 07:56
se mas pa ne rabis? :) 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mrtupevc Quote  Post ReplyReply Direct Link To This Post Posted: 08.Jun.2022 at 10:11
Heheh, mene so pa "dobil" s tistim:

"Grandfather?"
"Yes?"
"Who where those four men?"
"Who were they? They... were THE METAL KINGS!!!"Big smile

To poslušal v bivši LP štacuni na Gornjem trgu v Ljubljani (če se kdo spomni imena, jaz se ga ne) nekje jeseni '96... Seveda sem mogu vinilko prec nabavtStar

Ole - OleOleOle;

Peterle - zakaj pa ne?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 04.Jun.2022 at 23:36
Spomnem se ko sm prvič vidu tole naslovnico leta '97 v glasbeni trgovini in takoj kupu CD. RIP Ken Kelly

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 24.Nov.2021 at 00:24
Škoda da teh dveh legend ni več zraven...

Sin od Adamsa baje gostuje na novem EP-ju od Feanor (kjer igra tudi Death Dealer, na vokalu pa Sven od Wizard), pred EP-jem je pa plata ki proba z Odisejo kopirat Triumph, hkrati pa Đowi snema svojo Odisejo. Star
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 06.Sep.2021 at 18:26
Od vseh legendarnih zgodovinskih posnetkov od 'Manaverja' je šel Žouvi na official MCM kanal tole stvar objavt:





Ko sm prvič to vidu, sm mal krepu od smeha... ni mi več smešn... Žoupi je pa zgleda kr dost pizda, vsaj tko prav (malce okajeni) Ross v povsem svežem intervjuju:

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 28.Aug.2021 at 17:45
Z Rossom sm se prvič v živo pogovarjal leta 2005, potem pa še parkrat, zadnjič leta 2018 in je tip res ampak res totalna faca, prizemljen in prjazn, da ne govorim o tem kako neverjeten kitarist (bil sm v prvi vrsti na Ross The Boss koncertu 2018 in nism mogu verjet da spravlja vse te zvoke in nianse vn samo s kitaro uštekano direktno v Engl Powerball amp - nič efektov). Ampak, Joey je Joey in brez njega in njegovga prfuknjenga karakterja Manowar ne bi bli kar so (in kar so bli). Z njim sm v živo govoru samo na kratko leta 2002 ker je bil precej bolj nedostopen. Skupaj sta bla pa lih taprava jin-jang kombinacija.


Od Manowar ne pričakujem več nč, tanov cover kitarist je na žalost u kurcu, zadnji EP ima par kul trenutkov in strici so stari ko zemlja. Pri RTB bendu mi pa niti trenutni vokalist niti tisti s prejšnjih plat ne sede, par solo RTB komadov je pa precej dobrih drugače. Zdej grem pa enga Thora na max zašpilat. :)
FUCK THE WORLD
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 19.Aug.2021 at 22:26
Ni panike madrfakr! ;) 

Drgač pa tole:


... pa si predstavlejte, da bi se ta komad (odigran na tak način... pa čeprov mislm, da ne manjka, bi vsaj v en refren vrinu še razširjeno besedilo ala LTH verzija) pojavu npr. na Hail to England al pa Kings of Metal.

Povezave med Billom Aucoinom, Kiss in Manowar se pa zavedam že kar nekej časa ampak mi je šele pred kratkim kapnil, zakaj je pri Manowar prisotno to nepotrebno šminkiranje oz. 'mistika' okrog privatnih življenj članov, 'mitologija' okrog razlogov za odhode iz banda oz. menjave članov, napeljevanje fanov v kultno čaščenje... Žovi je v smislu marketinga hotu imet band u stilu Kiss. Skorej ni dvoma, da je kot njujorčan od blizu spremlou Kiss fenomen v času njihovga dotedanjega komercialnega vrhunca. Na žalost pa na Manowar ni padla niti kapljica švica iz zaželjenga rock'n'roll mainstreama, mogoče tud zarad zaničevalnga odnosa do ostalih skupin iz metalskega cirkusa, kar so pa (svetohlinsko) oglašval kot zavračanje trendov oz. sami sebe ponujal kot heavy metalsko kontrakulturo splošni metalski subkulturi. Drgač pa respect oriđi zasedbi - vedno bom fan njihove glasbe pa računam na to, da jih še kdaj uspem ujet v živo (čeprov nazadnje je blo dost povprečno... ampak ceu trip je biu takrat sumljiv, tko da, negativno ne pade sam na Manowar) Pa seveda upam, da Ross napiše knjigo!!!

Pri Kiss/Manowar povezavi je pa še posebej škoda, da nismo dobil kšnga filma ala 'Kiss Meets the Phantom of the Park' z Manowar u glavni vlogi :P ... vrjetn bi bil pornić z naslovom 'Manowar park their Meat in the Phantomess' ???

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Madafaka Quote  Post ReplyReply Direct Link To This Post Posted: 16.Aug.2021 at 10:42
Hvala za tole, zanimivo branje.
Raul artista, siempre Madridista!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 14.Aug.2021 at 14:08
Intervju z RTB-jem o zgodovini 'Malovrhov'. Avtor je Trummer, kitarist in idejni vodja Atlantean Kodex. Intervju je nekdo prevedu iz nemščine, prvič pa je bil objavlen 2016 v reviji Deaf Forever, link za nakup spodej.

??? Fejk bobni na FtW, KoM pa tToS ??? Cry  Ne glede na vse, albumi men osebno zvenijo super, sem pa fan predvsem prvih štirih, tko da bi kurćev Đovi loh pučas kšn remiks 'Sign of the Hammer' pripravu. Za ta album menim, da ma podobn problem z zvokom kokr 'Born Again' od Black Sabbath, za katerga pa v prihodnjih mescih sledi remiks iz izvirnih trakov... jupeeeeeee!!!

The Story of Manowar in the Words of Ross “The Boss” Friedman

With the parting of Ross the Boss and Joey DeMaio in November 1988 ended one of the greatest creative runs in the history of heavy metal. As if in trance, MANOWAR had recorded four immortal classics in only two and a half years: “Battle Hymns”, “Into Glory Ride, “Hail to England” and “Sign of the Hammer”. After the ambiguous transition album “Fighting the World”, the epochal “Kings of Metal” ended the creative triumphal march that founded the renown of MANOWAR as the loudest, grandest, most excessive, ostentatious, controversial and - for many fans - simply the best heavy metal band of all time. The attempt of a story.

 

''Baby I was born to play music, I’m the man with the screaming guitar!'' In the Beginning, There Was Innocence

Ross sits in front of me, wearing glasses and a black shirt. The legendary guitarist has just celebrated his 62th birthday. He loves to talk, and his likable “Noo Yawker” accent immediately wins me over. Only once during our three long talks, Ross seems upset. Angrily he tells the story of how AFM records shipped out his solo debut “New Metal Leader” (2008) with a sticker saying “Best Heavy Metal Album since Kings of Metal!”. His artistic integrity and independence are important to Ross, and rightly so. For his involvement with the punk pioneers The Dictators, he is held in high esteem by the rock community – beyond his role in MANOWAR. Countless co-operations, from Anthrax to the punks of The Nomads to rock ‘n’ roll bands like The Spinatras shaped his life. His most recent “baby” are the power metal heroes of Death Dealer. Furthermore, the Ross-The-Boss-Band is preparing to tour again, this time with American musicians. Ross cannot accept a standstill. “My motto is: songs, songs, songs. And when you have written all these songs, you continue: with songs, songs, and more songs.” It is precisely this manic energy and the need for rock that catapulted MANOWAR in only six years from a backwater rehearsal room to the rock ’n’ roll Olympus.

 

''We met on English ground …'' A Fateful Encounter

At heart, it is Ronnie James Dio who has to be named the father of MANOWAR. On May 18th 1980 in the City Hall of Newcastle, during the Black Sabbath UK-Tour, he established contact between Ross and his pyrotechnician Joey DeMaio. Ross had recently taken over the guitars for the French tour support Shakin’ Street: “At that time, Joey was part of the Black Sabbath crew. Ronnie told me to talk to Joey, that he’d be great bass player and that music-wise, he’d be on the same wavelength as me. Since I always did what Ronnie told me, I approached Joey, and we immediately connected.” It wasn’t only their common New Yorker origins that brought together Ross and Joey so quickly. In 1980, after a rash of failed projects, both were looking for new musical challenges. In each other, they found the perfect partner with the definite will to make it big. Aside from Shakin’ Street’s major label debut that Ross had recorded in 1980, his main accomplishments at that time were the first three albums of the legendary Dictators. However, Ross’ musical biography didn’t start with Punk, but with the first violin in the orchestra of his North Bronx school. Beatlemania, the Rolling Stones and B.B.King brought him to rock music and revealed to him the magic of the electric guitar. Ross cracks up laughing when he remembers the name of his first high school band: Total Crud. Equally obscure: his involvement with the hard rockers Lyre, who only released three rare 7”s; “It Could Be You”, “Hungarian Rocksody” and “Mirror, Mirror”. Joey could look back at a quite similar career. 400 kilometers north of New York, in the provincial town of Auburn, Joey had initially also started to play guitar at the height of the Beatlemania, before John Entwistle and Jack Bruce brought him to play bass instead. His first major gig took place on Broadway, when he played bass in an early production of the musical “Godspell”. Together with the hard rock band Feinstein’s Thunder he released the powerful single “Midnight Lady” and the Buddy Holly cover “Slippin’ and Slidin’”. Thunder nearly meant the end of Joey’s career, when during a bass solo the pyrotechnics set his costume on fire. Joey was hospitalized for two months due to his severe burns, and only through extensive therapy for his hands could he retain his playing skills.

Another rather unusual musical episode was when Joey and his former schoolmate Eric Adams joined the salon band Looks and toured the hotel bars of the state of New York. 1984, Joey remembers that time in Sounds magazine: “That was the reason we wrote ‘All Men play on Ten’! Eric and I had been playing in a Holiday Inn-Band. After three weeks I said: ‘That’s it! I’ll never brush my hair again, I’ll never turn it down again, or use smaller equipment!’ We were fired anyway. For some reason the guests didn’t want bass solos for dinner.” Loud amps, no compromises and the absolute will to hit it big – no wonder that Joey and Ross immediately connected: “After the Dictators, I wanted to do something bigger, with more power and energy. A band like The Who, or Cream, or a classic power trio. Joey wanted the same. He was a great fan of Mountain and Grand Funk Railroad. At one point, we started jamming in Black Sabbath’s dressing room. Even back then we loved to play it loud. As soon as Sabbath were on stage, we let rip. When they had finished their set, Ronnie burst in, roaring ‘What the hell?? Have you guys lost it?!’ (laughs) We then started doing it every other night. That’s how MANOWAR got started.”

 

''And we all knew what we had to do …'' World’s Loudest Flatmates

The musical energy between Ross and Joey in 1980 must have been breathtaking. Without any financial security through other jobs or bands, they quit Sabbath and Shakin’ Street to fully devote themselves to their new, big project. “Joey lived in my flat in New York, and we immediately started to write songs. Our first tracks were ‘Shell Shock’ and ‘Battle Hymn’. A good friend of mine was Bob Currie, back then a big shot at EMI. I invited him to my flat and we played our songs to him. He couldn’t believe how the two of us managed to sound like that. It was so loud and heavy we sounded like an entire band with drums and everything. We played ‘Death Tone’, ‘Fast Taker’, ‘Battle Hymn’ and some other songs we had written. That was just Joey and me. We didn’t have a singer, we didn’t have a drummer, and we had never played live. We didn’t even have a name – but we had the support of Bob Currie, one of the most important people with EMI.” With a little front money from EMI, Joey and Ross went to Auburn in 1981 to record a two-track tape with “Shell Shock” and “Battle Hymn” on it for the negotiations with the label. EMI immediately signed them. Meanwhile, the dynamic duo had grown to be a full-sized band. On drums, Carl Canedy of The Rods helped out. Vocals were taken over by another old friend of Joey’s from the Auburn scene: Eric Adams. If you measure musical success with chart positions, Eric was number one in the MANOWAR camp. As the singer of the Teenie band The Kids, the eleven year-old Adams had entered the Spanish hit parade with the single “Lovin’ Everyday” in 1965. But when Joey brought the Ian Gillian-Fan and former bandmate from Looks to join MANOWAR, Eric was working as a butcher at a major meat market – and was commonly known as Louis Marullo. “He had two sons named Eric and Adam. He took these two names on as a stage name. Back then, pseudonyms were not uncommon with musicians in New York. I also didn’t act as Ross Friedman, but as ‘Ross the Boss’. Family names that can be associated with a certain ethnic group don’t sound very mysterious. Take for example Gene Simmons. He didn’t go on stage as Chaim Witz, because it would have broken the theatrical rock star image. It was similar with us. Marullo, Friedman – that didn’t fit the Barbarian image we had chosen. In fact, it didn’t fit anything. (laughs)”

With the Liberty/EMI major deal in their pockets, Ross, Joey and Eric – still without a drummer or a name – had a quick start. What wonderful times for musicians: the label sent the band for six months to Florida, where they were to rehearse, write songs and record the first album – apartment, pool, rehearsal room, equipment and all expenses covered. Producer Joe Foglia (later sound guy for the TV shows “Miami Vice” and “Scrubs”) established contact with drummer Donnie Hamzik, and also the band name dates back to the Liberty-financed Florida era: “Originally, our favorite name was Pax Romana. ICBM – Intercontinental Ballistic Missiles – was also up for discussion. (laughs) One day, our technician Dawk blurted out: ‘Manowar! How about Manowar?’ Joey and I looked at each other and just said: ‘That’s it!’ Because it reflected our attitude. With the tons of equipment that Dawk had set us up with, we felt like being at war anyway. The name also embodied our fighting spirit: Manowar was the name of a famous racing horse that is today regarded as America’s most successful show horse of all time. Then, it also means battleship – a very strong image that translates well into the language of heavy metal. We were in Florida, we had a band, we had a name, and we had a major deal. Ready to start at last.” Meanwhile, Bill Aucoin, famously known as the “Father of Kiss”, had taken over the management of MANOWAR and, through sappy interviews and a razor sharp profile, tried to establish the band as the new Kiss. On June 7th 1982, “Battle Hymns”, with its mighty cover art and immortal title track, was released. Every second of it made clear that these were no amateurs at work. Being 28 years old, Ross, Joey and Eric brought a massive amount of stage experience to the band. Because of their original sound, Joey’s innovative bass play, Ross’ earthy riffs and the one-in-a-100 year voice of Eric Adams, the press immediately celebrated MANOWAR as a new hope for American metal and as a substantial answer to “the new British bands”. Shortly thereafter, MANOWAR played their first live show at Club Summers on the Beach in Fort Lauderdale – naturally with full equipment. It should remain their last gig at the location. The place had to be renovated afterwards.

But Liberty had anyway booked a complete US-Tour as opening act for Ted Nugent. What started out as a triumphal march – MANOWAR outacted the Headliner night after night and pulverized U$ 20,000 worth of pyrotechnics at every show – ended suddenly. After only three dates, “The Nuge” kicked the young New Yorkers off the tour: “When we were unpacking our equipment, the other two acts started looking like a children’s birthday party” laughs Ross. With their support slot, also the deal with Liberty was gone. There had been a change in the upper management, and the sales of “Battle Hymns” fell short of the expectations. Their rapid ascent was followed by an equally sudden downfall. The fall from major label-heaven traumatized the band. From that time on, MANOWAR staged themselves as outcasts, fighters against the industry and false metal, and the only real metal band (alongside Black Sabbath). In countless excessively immoderate interviews, the band spoiled their chances with labels, magazines and other musicians rather early. With their fans however, MANOWAR allied to form a sworn, quasi-religious community – until this very day.

 

''Four sworn to vengeance, see the hate in our eyes'' An Extra Helping of Attitude

Without the cash flow from Liberty, not only manager Bill Aucoin made off; Donnie Hamzik, who didn’t share MANOWARs no-holds-barred approach, also had to leave the band. With their U$ 12,000 payoff, Ross, Joey and Eric entrenched themselves in their Auburn rehearsal room and swore to strike back. Their campaign of vengeance found powerful support: “Scott Columbus sat down at the drumkit, and after three seconds we knew he was going to be our new drummer. He had a tougher punch than every other drummer I ever played with. Scott didn’t know fear. I love that. I am a punk rocker from New York, and I like guys with attitude. He got behind the drums and just blew us away.”

The wheels started turning again when MANOWAR got the attention of Jon Zazula. In 1983, the epicenter of American metal formed around his shop Rock’n’Roll Heaven in New Jersey and his label Megaforce. With Metallica, Anthrax and Overkill, the former stock broker had some of the hottest bands of the time on his hands. When he heard the demos of “Into Glory Ride” – among them an early version of “Brothers of Metal” – he took charge of the release and organized a series of live shows as well as an appearance on Nickelodeon, a children’s TV channel. In gratitude, they signed the recording contract with their own blood. “Into Glory Ride” was released on July 1st 1983 and poses until today the central monument of epic metal. The songs are mightier and more dramatic. The rock ’n’ roll edge of “Battle Hymns” only shows itself on the opener “Warlord” (the intro was “performed” by Joey, Eric and Eric’s girlfriend …). Scott’s iron punch lends hymns like “Gloves of Metal” a hammering drive. The power of MANOWAR – and “Into Glory Ride” proved that once again – lay in their originality. No other band, neither back then nor today, had that unique sound. Out of the “Battle Hymns”-sessions, also “Gates of Valhalla” made it onto the new record: “Our advantage was that whenever we were in the studio, we recorded many songs that ultimately didn’t end up on the album. From the phase between ‘Battle Hymns’ and ‘Hail to England’, there are dozens of unreleased songs. One of the first pieces we wrote around the time of ‘Battle Hymn’ and ‘Shell Shock’ was called ‘Golden Ride’. It was never used. On another demo from that time was a track called ‘The Meeting’ and another one with the title ‘The Will to Kill’. That was in New York, before Carl Canedy. My friend Rich Fazio helped us out on drums. Joey should still have all these tapes.”

With the legendary cover of “Into Glory Ride”, also MANOWAR’s image came more to the point: “When we were living in Florida, “Conan the Barbarian” was released. We were blown away: ‘Hey, that could be us!’ (Ross imitates Arnold Schwarzenegger). We wanted to be exactly like that! The sheer power … The women should look up to us, and our foes should tremble before us. That was the image we wanted.” Despite receiving spectacular critiques, “Into Glory Ride” ultimately failed to facilitate the leap over the Atlantic. On the eve of the planned European tour, the tourbooker’s sister was killed in an accident. The tour was cancelled. Frustrated, MANOWAR left Megaforce and signed with Music For Nations in London, who had already licensed “Into Glory Ride” for the European market.

 

''The quest for the grail, to England we sail …'' On the Zenith

No phase in the band’s history documented the creative power of MANOWAR as insistently as the time following “Into Glory Ride”. The secret of steel: absolute professionalism and unconditional devotion to the music. In only six days, the band recorded the two (!) classics “Hail to England” and “Sign of the Hammer” (with the exception of the title track) in November 1983. At Toronto’s expensive Phase One Studios, star producer Jack Richardson flawlessly succeeded in casting MANOWAR’s pounding live sound on vinyl. “Blood of My Enemies” and the satanic epic of the century, “Bridge of Death” (later imitated by Quorthon) are absolutely singular until this day. No other band ever succeeded in combining melody, pathos and heaviness in such perfection. A big part was played by Eric Adams, who in 1984 coruscated at his artistic peak. With the support of Music for Nations, MANOWAR finally broke into Europe. The “Spectacle of Might” tour in 1984 made for many anecdotes. Already after the first show ensued the legendary fallout with supporting act Mercyful Fate, whereupon – as legend has it – King Diamond bestowed a curse upon MANOWAR. It didn’t hurt. For MANOWAR again managed to switch to a major label with worldwide distribution. 10 Records, a subdivision of Virgin, took over the band business and released “Sign of the Hammer” on October 15th 1984. Before, Virgin had sent the band to the horribly expensive Manor Studios in Oxford to add one more song to the seven already completed in the sessions with Jack Richardson. Under the aegis of Oliver Platt came thus the title track into being. It is remarkable how Platt managed to imitate Jack Richardson’s sound, so that on the album, no rift between the material from the two sessions can be heard. Tracks like “Thor (The Powerhead”), “Mountains” and the apocalyptic “Guyana (Cult of the Damned)” finally established MANOWAR firmly on international stages. No less than two extensive tours through Europe followed; the “Sign of the Hammer”-Tour in 1984/85 and the “Hail To Europe”-Tour. “We played many venues we’d never been to before, the Hammersmith Odeon among them. We also got the offer to open for Whitesnake. But they said we could only perform if we wouldn’t wear our leather outfits. We said: no, we don’t think so.” Still: in Europe, MANOWAR had found their second home.

 

Drums of Doom - The Curse of Technology

After a – for the band’s standards – unusually long hiatus of approximately three years, “Fighting the World” was released in 1987 – and met mixed reception. The commercially arranged album marks a departure from its barbarian predecessors. It is not only a transitional musical work, but was also marked by the tensions that were beginning to take hold of the band. The extensive touring for “Hail to England” and “Sign of the Hammer” was followed by the old game. 10 Records dropped the band. Via an acquaintance, Ross established contact with the major Atlantic Records. But Atlantic had no interest in buying a pig in a poke. With a small budget, MANOWAR entered the studio to record a demo. Together with producer legend Eddie Kramer (Woodstock, Jimi Hendrix, Humble Pie), a whole range of new songs were developed: “Courage”, “Number 1”, “Brothers of Metal” and “Blow Your Speakers”. The last two tracks were sent to Atlantic as a two-track tape, who subsequently signed MANOWAR. The 1986 version of “Brothers of Metal” is circulated on the internet today and clearly outshines the official “Louder Than Hell” (1996) version. “Courage” and “Number 1” were later also used by Joey on “Louder Than Hell”.

Apart from the simple songwriting, for instance in “Carry On”, it was the polished sound of “Fighting the World” that alienated many fans of the band. The working practices of MANOWAR had started to change considerably: “A problem had arisen while touring. We couldn’t hear the drums on stage anymore, mainly because our amps were so damn loud. Through Dawk, we found Vince Gutman, who had worked for Prince and Bruce Springsteen. He had developed a trigger system for drums that he used to produce those big artists. So around that time, we started to work with triggered drums when playing live shows. At the studio, Vince then brought along a device called Synclavier. He explained that we could use it to develop drum tracks and edit them on the computer afterwards. In the studio, I like to work conventionally, but Joey insisted that we also use the digital drums for recording. On ‘Fighting the World’, Scott already didn’t play the drums anymore.”

The disagreement surrounding the legendary “Drums of Doom” also reveals that the mood in the band increasingly deteriorated. Especially Scott, who was now not heard on the finished albums anymore, suffered from the changed recording conditions: “Scott went through with all of that because he was a good guy, but I know how unhappy it made him. He also hated playing live with a triggered system. Scott wrote some of the drum beats, and he also recorded some cymbals. But the drum tracks were created with the Synclavier, on the computer. That started a pretty negative psychological development with him. He felt depreciated and said he was probably good enough for the stage, but not for the studio anymore. It really preyed on his mind.” A weakness of the album also lies in that you could hear in many songs how MANOWAR struggled with the still unfamiliar digital technology. Particularly striking is the awkward programming of the absolutely identical sounding hi-hats on “Holy War”. Despite all its deficits, “Fighting the World” was MANOWAR’s final breakthrough in Europe. Until today, the album that is regarded as one of the first metal albums with a fully digital production, sold 300,000 units in Germany alone. The impressive sales and an unrelenting tour schedule notwithstanding, the band earned little money with it: “Joey and me held fifty percent of MANOWAR, respectively. Of the money we earned with the band we paid Scott and Eric. The rest we put in new equipment. Joey never needed much himself, because he lived with his parents in Auburn. But I had to pay for my apartment and my car. So from the beginning of MANOWAR on, I worked in parallel in construction. We controlled the works at the highways. I can imagine many people find that hard to believe, but if you live in New York City, you need a lot of money. What I earned with the band was never enough to survive.”

 

''They were the Metal Kings!'' Divorce Amongst the Gods

After some successful touring (i. a. with Motörhead), MANOWAR retreated again to record their magnum opus “Kings of Metal”. Even though Scott Columbus again can’t be heard on the album, the result sounds more confident than the unsteady “Fighting the World”. Exceptionally aggressive hymns like “Hail and Kill” or “Blood of the Kings” reclaimed lost ground. Furthermore, no other band at that time would have dared an overwhelming, megalomaniac bombast track like “The Crown and the Ring”. In sum, “Kings of Metal” is a masterful work and one of the most lavish metal productions of the 80s. Again, Universal Studios in Chicago and the digital skills of Vince Gutman assumed responsibility for the complex sound. But as the band had come to terms with the altered circumstances of production, their disagreements concerning the songs were on the rise: “I never liked “Grandfather, tell me a story …” (imitating the voice). Another song that really upset me was “Pleasure Slave”. I told Joey that we definitely shouldn’t release this song. He just said: “Yes we do.” My opinion didn’t count anymore. Right up to the point where I realized how things were going to turn out.” But disputes between the two heads of the band also flared up on another front. Just like “Fighting the World”, “Kings of Metal” flopped in the USA. Ross thinks he knows the reasons: “Our albums flopped because we never toured the US. That finally broke our back. Joey just didn’t want to tour without full equipment. I suggested to him that we just take two full stacks and play every damn club in the USA. Anthrax did it, Metallica did it, Slayer did it. Joey refused. Then the whole bullshit with ‘Death to False Metal’ started. The fans had already begun making fun of us. You can’t go and tell a fan ‘If you like Manowar, you can’t listen to Slayer, Metallica or Anthrax anymore’. All that hurt us immensely, and it estranged us from the scene.” The end came shortly after the completion of “Kings of Metal”, still before the planned European tour: “’Kings of Metal’ came out in autumn 1988. I was really enthusiastic about how great the album sounded. Then one day my phone rang. It was Joey, he said he was in New York and wanted to talk to me. I suggested he’d come over so we could share a beer, have some fun. He then said it was time for me and the band to part ways. I asked him: ‘What’s now with the four kings of metal? You couldn’t have picked a worse timing, Joey, could you?’ That really hurt. But it is probably like a marriage. We started the band as partners, and then we drifted apart. I am proud of my time with Manowar. Joey and me were like Yin and Yang. But the Yin can’t ying without the Yang. (laughs) A prize fighter can’t win with only one fist. But fortunately I have all my other bands. I couldn’t be happier.”

 

translated from German (contact: youthanasia_now@yahoo.de)

written by Manuel Trummer for DEAF FOREVER Magazine #10 (02/2016)

get it here: https://shop.deaf-forever.de/


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 18.Apr.2020 at 12:16
Manowar (oz. zdej pač Erik+Jožko & Co.), sicer zreli za v penzijo že par let + nov kitarist žal fušira na mrtvo, ampak tle še kar kraljujejo (ritual na koncu ga zmaga):
https://www.youtube.com/watch?v=nKvobwsaeGI

Pa legenda Death Dealer - 22. in 30. sekunda, to je to, attitude, kako odigraš, ne samo kaj (katere tone, akorde...):
https://www.youtube.com/watch?v=tf5amSsX2UE

In pa še večja legenda Ross The Boss, večkrat vidu live in vedno me je totalno navdušu, 100 ton attituda in filinga:
https://www.youtube.com/watch?v=If-u3tuBUrE

Nonoti med 65 in 70 letom (govorim za original člane: Ross, Joey in Eric) še vedno v istem True Metal transu kot 40+ let nazaj. To je to - MANOWAR!

FUCK THE WORLD
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gašper Fatur Quote  Post ReplyReply Direct Link To This Post Posted: 26.Jun.2019 at 20:03
Na Hellfestu pomoje niso hoteli igrat, ker jim niso omogočili showa kot so si zamislili/se dogovarjali (velikost produkcije/glasnost) in mogoče tudi kakšna nejasnost okrog honorarja za nastop.

Glede afere pa, Karl Logan je bil najden, mislim da tudi že obsojen in bo tudi zaprt. Zelo žalostno, da je zabredel tako zelo nizko, ampak ga ni več v bendu. Renome dobre glasbe, sploh s starih albumov, ostaja nedotaknjen. In v živo so pred dvema letoma, ko sm jih zadnjič gledal, bli odlični. Že nekaj let pa sicer pišem tle da bi blo fajn da grejo v penzijo čimprej...

Pa še en link da se lahko malo potolažite. Big smile

FUCK THE WORLD
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Post Options Post Options   Thanks (0) Thanks(0)   Quote bullet666 Quote  Post ReplyReply Direct Link To This Post Posted: 25.Jun.2019 at 23:48
Dead by down hahaha
v jok pa na drevo
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