Manowar |
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Pero
Admin Group Joined: 13.Nov.2007 Location: Slovenia Status: Online Points: 3820 |
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Povabljivo, ampak kurc k se prekriva z WDoM
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Banshee
Groupie Joined: 16.Nov.2007 Location: Novo mesto Status: Offline Points: 603 |
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Zanimivo! Ker doda te je baje 10 let prepričeval, kako bedni so (kar se je leta 2008 dejansko potrdilo na enem festu), hihi.
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Rockers of the underground, black and heavy is our sound! (Running Wild)
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Hm, leta 2008 sem videl Manowar ko so igrali prvih 6 plat in to je moj naj koncert kar sem jih vidu.
Doda pa me je 10 let prepričeval ampak sedaj sem jaz prepričal njega. |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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S He-Manom greva jutri edina iz Slovenije na to, kar žalostno po eni strani. Upam da preživim ker to bo pa tako fakin dobro, da bom znorel tam.
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Atreides
Organizator Joined: 06.Nov.2014 Location: LA Status: Offline Points: 671 |
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Gledam na njihovi uradni spletni strani in nič napisanega za špile, gledam na FB in nič napisano za koncertne datume, gledam pod založbo, nič napisano. WTF., management milo rečeno v p**** m******. Kolk pa je karta v Brescii in kje je koncert ? Aja tudi na Eventimu se ne prodajajo karte...
Edited by Atreides - 23.Mar.2017 at 21:06 |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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To si verjetno gledal za Manowar? Jaz sem govoril za Ross The Boss bend. Včeraj so bli res fakin odlični v Brescii! Odlična setlista, vsi 4 muzičari odigrali odlično, zvok odličen, folk norel z mano v prvi vrsti, vse TOP, ne vem niti kaj napisat.
Doda je posnel prvi komad ki so ga igrali: https://www.youtube.com/watch?v=x5KdGJM6Wh0 |
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Atreides
Organizator Joined: 06.Nov.2014 Location: LA Status: Offline Points: 671 |
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Aaa, mal zmede... noji v tem primeru porinejo glavo v pesek
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Še malo o koncertu + razno... Folka ni bilo kaj dosti, 100 ali malo več, spet vsi nad 25 let, tudi nekaj starejših ljudi vmes. Bla je tudi mini Metal borza in kar me je presenetilo je to kako je vrednost/veljava CD-ju padla. 3x CD za 10 €! In to ne kar neki, vse sorte zanimivega, Riot, Taramis, tudi bolj redke zadeve. Fak, 3 original CD-ji za 10 €, pred 10-imi leti smo dali 15 € za 1 CD. Koncert je bil odličen, kot že rečeno. Ross mi je itak en naj kitaristov, ne po tehniki ampak po filingu. Itak je stvar št. 1 KAKO ne pa KAJ, kako nekaj odigraš, odpoješ, na kakšen način - to je bolj pomembno kot pa kateri akord ali katere tone itd. Isto pri filmu, ne samo pri glasbi itd. In tle ga Ross zmaga (oz. Manowar na sploh). Lih zdej poslušam Blood Of The Kings iz '88 K.O.M. plate, faaaaak noro, na kakšen način tle poje Adams, ko da bo jutri umru in da je to nejogova zadnja možnost. Metal = over the top. Če ni, ni Metal - vsaj zame ne. Hm, kaj še? Next stop: Keep It True.
PS: Setlista je bla taka (ni po vrsti so pa ti komadi po mojem spominu): Death Tone, Metal Daze, Dark Avenger, Battle Hymn, Gloves Of Metal, Blood Of My Enemies, Each Dawn I Die, Kill With Power, Thor (The Powerhead), Sigh Of The Hammer, The Oath, Fighting The World + Rhino solo, Hail And Kill + Ross solo, Blood Of The Kings. Pa vrat me še danes boli... Edited by Gašper Fatur - 26.Mar.2017 at 16:17 |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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V soboto 25.11 so Manowar v Minhnu in v nedeljo 26.11. so Helloween v Bratislavi.
Manowar imajo poslovilno turnejo, Helloween imajo Kiskeja & Hansna. V soboto dopoldan gremo v Minhen, po Manowar prespimo, v nedeljo dopoldan gremo v Bratislavo, po Helloween prespimo in gremo v ponedeljek domov. Povejte takoj kdo je 100%, zberemo keš in naročimo. Linki za karte: https://lb-events.de/de/veranstaltungen/manowar.html https://www.ticketportal.sk/Performance/158027?idpartner=308 Karte se razprodajajo, tako da se bo naročilo TAKOJ oz. ASAP! |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Helloween karte so že pri meni, še Manowar čakam.
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Tudi Manowar karte končno pri meni, zdaj pa samo še počakat na november, do takrat...
Ross je pa taka fakin legenda, nasilen stil igranja, zakon solo, odlična izvedba + zakon publika, to je to! https://www.youtube.com/watch?v=hYxwMt5FzVU |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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I can't even...
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Šujo
Paranoid crew Joined: 25.Nov.2007 Status: Offline Points: 3267 |
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hahahaha zakon....kok slabo :) frogi, rabijo te!
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Fuck you and the horse you rode in on
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darker666
Newbie Joined: 10.Jul.2014 Status: Offline Points: 156 |
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Bi mogli že v 90 prenehat :)
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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V 90-ih bi mogli prenehat vsi razen Manowar (in še nekaj izjem kot npr. Running Wild, Maiden itd., ki niso čez noč začeli igrat groove/grunge sranja).
Moj komentar v prejšnjem postu pa je letel na izgled, izvedba ni tako slaba. Čez 3 mesece pa moj top 2 paketič: Manowar + Helloween. |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Še dober mesec... in prav nič prehitro - komaj čakam!
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Gmajnar
Senior Member Joined: 14.Feb.2014 Status: Offline Points: 1449 |
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Ej, a to majo Manowar res prow poslovilno turnejo zdj?
Drgač pa čist noro, da obstajajo taki 60letniki, k sploh ne nehajo s svojim fantazijskim/mitološkim/poganskim/ultra-metalskim pristopom do metal muske - vse od imidža, artworka na naslovncah, besedil, ... in to kljub nenehnemu posmehovanju večine ''metalcev'' - vsa čast Manowar za neomajno držo skoz desetletja! Jz sem jih sam enkrat v živo gledu, k sva šla s Srako (že pokojni Kamnčan) leta 1997 nekam na jug Nemčije na njihov solo koncert, k so mel turnejo za Louder Than Hell album. Blo je čist hudo, pa še eno ful dolgo rampo so mel do odra in so se gor prpelal s Harley Davidsoni - noro So se pa že takrat najdl taki debili, k so pršli na koncert sam zato, da so jih izžvižgaval in v njih od daleč metal powhne kozarce pera K je Joey DeMaio (basist) fasu powhn per direkt v trup in po basu so kuj prekinl koncert, odložil inštrumente in zahteval, da naj te ''korajžneži'' pridejo gor na oder in se soočjo z njimi v fajtu, če se upajo. Itak se noben ni upu pridt gor, niti se kj dret iz daljave - pofukane debilne reve! Manowar so pol še mal čakal, ker so bli čist razpizdeni, pol so pa uslišal prošnje pravih fenov in nadaljeval odličen koncert - legende! V glavnem res poseben in legendaren heavy/power metal bend - en najbl hudih vokalistov nasploh (Eric Adams), fenomenalen basist/aranžer/komponist (Joey DeMaio), bojevniški bobnarji, k ornk mlatjo po bobnih (Scott Columbus, Rhino in Hamzik) in sami power kitaristi (Ross The Boss, David Shankle in Karl Logan) Uživite na powhn na temu koncertu! HAIL MANOWAR!!!!!! |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Pravjo da je poslovilna turneja, karto imam, užival bom na polno. Kaj si pa folk misli o Manowar mi je pa tako vseeno da se ne da niti opisat, meni so božanski.
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Manowar so uturili kar enega iks bobnarja iz cover benda za poslovilno turnejo. Ampak ko sem počekiral ta bend... Zakon so!
https://www.youtube.com/watch?v=IyzQGyopGj8 In še nov intervju Ross The Boss-a. Ni še vsega konec! https://www.youtube.com/watch?v=NAzqT7wEp3M |
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Madafaka
Groupie Joined: 19.Nov.2007 Location: Slovenia Status: Offline Points: 660 |
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Pa ne moreš kar enga x bobnarja uturit no.. pa še brez najave... kaj je z Donniejem? Pa zakaj ne Rhino? Pa če bi bi tapravi, bi šli vsi člani na poslovilca, bi res blo zakon. neki tazga kot Helloween, s filmčkom za Scotta...
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Raul artista, siempre Madridista!
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Madafaka
Groupie Joined: 19.Nov.2007 Location: Slovenia Status: Offline Points: 660 |
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Ampak setlista je pa dobra...
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Raul artista, siempre Madridista!
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Madafaka
Groupie Joined: 19.Nov.2007 Location: Slovenia Status: Offline Points: 660 |
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mislijo še kej met po Stuttgartu?
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Raul artista, siempre Madridista!
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Čisto na kratko, to je bil fakin nor konceret, pravi balzam za dušo. Sem pričakoval da bo dobro, ampak bilo je res adijo pamet. Glasno da so se tla močno tresla ampak kristalno čist in uravnovešen zvok, nora produkcija, tudi video. Setlista ODLIČNA. Adams, WTF?! - še boljše pel kot ponavadi! Vsi ful uigrani, tudi iks bobnar, ma res THE BEST... sploh ne vem kaj nej še napišem. Vrat boli, glas je švoh, v ušesih piska - sami dobri znaki! Če je to res zadnja turneja bodo končali v zelo lepi luči! To je bil moj deseti Manowar koncert in verjetno tudi zadnji, dvomim da bom šel še 1x, dvomim da bodo lahko kdaj še boljši... Minusi... Hm, od Manowar nič, folk pač 90% švabi ki zgledajo kot da gredo v štalo/disko/službo, kamrokoli pač sam na Metal koncert ne (pa ne samo izgled ampak tudi stejđ gledajo kot da je gor TV dnevnik in zaplešejo samo na WOTW), ampak to nima veze - jaz sem se imel ZAKON!!! HVALA MANOWAR, KINGS OF METAL, ZA MUZIKO, NAPOTKE, POWER, MAĐIK IN VSE OSTALO!!! FUCK THE WORLD, HAIL AND KILL & DEATH TO FALSE METAL!!!
Setlista: https://www.setlist.fm/setlist/manowar/2017/zenith-munich-germany-53e03fb5.html Posnetek: https://www.youtube.com/watch?v=duAKf96KCBo |
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Pero
Admin Group Joined: 13.Nov.2007 Location: Slovenia Status: Online Points: 3820 |
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Pozdarija, dobra setlista... mi je kr mal žal, da sem tole spustu
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Zgleda da bo leto 2018 (30. obletnica po izdajah naj leta za Heavy Metal, leta 1988) totalna ludnica! Novi Priesti so dobri, novi Omen bodo zakon, nova Leather bo zakon, novi Riot bodo zakon in zdej sm slišal še nov komad od Ross The Boss-a. FUCK YEAH 2018! In še neki bo hehe.
https://www.youtube.com/watch?v=UI1KxZ7wyOk |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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22. april 2018 - isti bend (Ross The Boss), isti plac (Circolo Colony, Brescia, IT). Gre še kdo? |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Res nikogar ne zanima Ross The Boss 22.4. dve uri od Gorice?
https://www.youtube.com/watch?v=hYxwMt5FzVU |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Če ne gre noben z mano, grem vseeno, sam, ker vem da bo zakon. Če se kdo zmisli, gre lahko z mano, to je v nedeljo, konec bo pred polnočjo, ob dveh smo doma in zjutraj direkt k pouku/na tlako. Ross bo igral stare Manowar klasike plus kakšen nov komadič, komaj čakam!
https://www.youtube.com/watch?v=0BMyWdNfJBQ |
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Pero
Admin Group Joined: 13.Nov.2007 Location: Slovenia Status: Online Points: 3820 |
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Lahko gremo pa tud v Beograd
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Haha, zakon, una tamala ki poje solo je prou padla noter, the best.
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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630km, 45€ samo za fakin cestnino, 20€ karta + 37€ za vse 3 albume, folka nič (niti 100), predskupina katastrofa (matrica+poziranje), Ross The Boss bend res res zakon, sound dober, setlista odlična (1 solo komad, drugo samo oldskull Manowar), vokalist v živo ful boljši kot na plati, še Hatred so zaigrali, Italjani statisti (iskal koga ki bi kej zagibal, ništa, sm mogu sam), po koncertu debata s pevcem in legendo - Rossom, po dolgem času smo se spet vidli in sm mu povedal zakaj gre, je bil ful vesel, se zahvalil, reku God bless you in se mi podpisal na hi-topke, ob 2:30 sm bil doma, uničen ampak zmetaliziran do konca. Death to false Metal!
Edited by Gašper Fatur - 23.Apr.2018 at 18:03 |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Najslabša novica ever, kašna nagravžna kozlarija, nism mogu verjet ko sm prebral... ne vem niti kaj naj napišem, prou nož v srce. V glavnem, če je to res, kar na žalost kaže je - Karl fuck off and rot in jail.
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Vraan
Senior Member Joined: 17.Nov.2007 Location: Slovenia Status: Offline Points: 1757 |
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Kje so kšni dobri memeji na to temo?
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The real monsters are often just people.
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Gmajnar
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jebo te meme v danko-Vraanko
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Vraan
Senior Member Joined: 17.Nov.2007 Location: Slovenia Status: Offline Points: 1757 |
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Edited by Vraan - 01.Nov.2018 at 00:11 |
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The real monsters are often just people.
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Poslovilna turneja se nadaljuje, setlista precej slabša kot novembra 2017 ko sm bil v Minhnu (razen zgornjega komada). Nov mulc na kitari zgleda smešno, kot da bi bil vnuk od Joeya al pa Erica, tudi igra bl za silo (mogoče trema), brez Shankla ali The Bossa nimajo več smisla. Ericov scream na koncu zgornjega posnetka reši zadevo, Adams je pač kralj. Manowar, poberte se v penzijo že enkrat in hvala za najboljšo muziko ever! Edited by Gašper Fatur - 28.Feb.2019 at 17:43 |
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darker666
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Tud Adamsov glas je na tem posnetku bol v kurcu
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Jep... Ampak glede na vse je živa legenda. Upam, da bo še kej solo posnel po Manowar. Tle je pa setlist ko so leta 2008 odigrali 5-urni koncert, ne vem kako je to zdržal: Istega leta sm jih gledal v Nemčiji ko so v dveh dneh odigrali dva 3-urna koncerta, prvih 6 albumov v celoti v živo + par novejših komadov. In to je bil moj naj koncert oz. naj koncerta, od vseh kar sm jih vidu v lajfu.
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Zanimiv nov intervju z Death Dealerjem: Me res zanima kako bo zvenela ta Feanor plata ki je opeva David... Sven D'Anna od Wizard na vokalu, super, čeprav njegov falsetto zna bit annoying. Shankle je res odličen kitarist in faca tip (gledal v živo in se pogovarjal z njim), ampak Ross The Madafakin' Boss je pa THE BOSS, THE Manowar kitarist seveda, dosti več filinga na kitari in idej ter reeees totalna faca. |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Na drgem datumu, v Rusiji je boljše odpel. Nonoti v usnju, kašne legende so Manowar. Se bi šou še 11-ič sam je ful antiklimatično unga mulca gledat ku fušira... V prihodnje se bo šlo pa spet pogledat RTB in DD, to pa.
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Manowar izdali nov EP - 4 komadi. Prvi je intro, drugi je ok, tretji je bl balada s smešnim introm ampak drugače kr dobra in zadnji komad bi bil super če bi pel Adams. Jep, namesto Adamsa se je s "petjem" poskusil Joey in pokvaril najboljši komad EP-ja. No ja, še vedno ni najslabša njihova izdaja, tako da... se vrti na repeat. Nov iks kitarist je brezvezen, Shankle ima tumor v glavi in Logan čaka na sojenje... Če pride Ross nazaj, jih grem še enkrat pogledat, če ne: Manowar, R.I.P. (the sooner the better) in hvala za najboljšo muziko! |
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Monxster
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lepo, da si dal petje pod narekovaje :D in res, sploh ni slab EP!
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Atreides
Organizator Joined: 06.Nov.2014 Location: LA Status: Offline Points: 671 |
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Gledam tole "dramo" okol Manowar in skenslanega špila na Hellfestu... ampak še do danes nihče ne ve pravega, konkretnega razloga, zakaj so skenslali špil. Najprej tista afera z zbirko otroške pornografije, zdej pa še tole, škoda da si nek band s takšnih statusom in zgodovino, takole povsem pokvari svoj renome, ki ga je res dolgo gradil...
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bullet666
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Dead by down hahaha
v jok pa na drevo |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Na Hellfestu pomoje niso hoteli igrat, ker jim niso omogočili showa kot so si zamislili/se dogovarjali (velikost produkcije/glasnost) in mogoče tudi kakšna nejasnost okrog honorarja za nastop.
Glede afere pa, Karl Logan je bil najden, mislim da tudi že obsojen in bo tudi zaprt. Zelo žalostno, da je zabredel tako zelo nizko, ampak ga ni več v bendu. Renome dobre glasbe, sploh s starih albumov, ostaja nedotaknjen. In v živo so pred dvema letoma, ko sm jih zadnjič gledal, bli odlični. Že nekaj let pa sicer pišem tle da bi blo fajn da grejo v penzijo čimprej... Pa še en link da se lahko malo potolažite. |
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Gašper Fatur
Senior Member Joined: 18.Nov.2007 Status: Offline Points: 10949 |
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Manowar (oz. zdej pač Erik+Jožko & Co.), sicer zreli za v penzijo že par let + nov kitarist žal fušira na mrtvo, ampak tle še kar kraljujejo (ritual na koncu ga zmaga):
https://www.youtube.com/watch?v=nKvobwsaeGI Pa legenda Death Dealer - 22. in 30. sekunda, to je to, attitude, kako odigraš, ne samo kaj (katere tone, akorde...): https://www.youtube.com/watch?v=tf5amSsX2UE In pa še večja legenda Ross The Boss, večkrat vidu live in vedno me je totalno navdušu, 100 ton attituda in filinga: https://www.youtube.com/watch?v=If-u3tuBUrE Nonoti med 65 in 70 letom (govorim za original člane: Ross, Joey in Eric) še vedno v istem True Metal transu kot 40+ let nazaj. To je to - MANOWAR! |
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Intervju z RTB-jem o zgodovini 'Malovrhov'. Avtor je Trummer, kitarist in idejni vodja Atlantean Kodex. Intervju je nekdo prevedu iz nemščine, prvič pa je bil objavlen 2016 v reviji Deaf Forever, link za nakup spodej.
??? Fejk bobni na FtW, KoM pa tToS ??? Ne glede na vse, albumi men osebno zvenijo super, sem pa fan predvsem prvih štirih, tko da bi kurćev Đovi loh pučas kšn remiks 'Sign of the Hammer' pripravu. Za ta album menim, da ma podobn problem z zvokom kokr 'Born Again' od Black Sabbath, za katerga pa v prihodnjih mescih sledi remiks iz izvirnih trakov... jupeeeeeee!!!
The
Story of Manowar in the Words of Ross “The Boss” Friedman With the parting of Ross
the Boss and Joey DeMaio in November 1988 ended one of the greatest creative
runs in the history of heavy metal. As if in trance, MANOWAR had recorded four
immortal classics in only two and a half years: “Battle Hymns”, “Into Glory
Ride, “Hail to England” and “Sign of the Hammer”. After the ambiguous
transition album “Fighting the World”, the epochal “Kings of Metal” ended the
creative triumphal march that founded the renown of MANOWAR as the loudest,
grandest, most excessive, ostentatious, controversial and - for many fans -
simply the best heavy metal band of all time. The attempt of a story.
''Baby
I was born to play music, I’m the man with the screaming guitar!'' In the
Beginning, There Was Innocence Ross sits in front of me,
wearing glasses and a black shirt. The legendary guitarist has just celebrated
his 62th birthday. He loves to talk, and his likable “Noo Yawker” accent
immediately wins me over. Only once during our three long talks, Ross seems
upset. Angrily he tells the story of how AFM records shipped out his solo debut
“New Metal Leader” (2008) with a sticker saying “Best Heavy Metal Album since
Kings of Metal!”. His artistic integrity and independence are important to
Ross, and rightly so. For his involvement with the punk pioneers The Dictators,
he is held in high esteem by the rock community – beyond his role in MANOWAR.
Countless co-operations, from Anthrax to the punks of The Nomads to rock ‘n’
roll bands like The Spinatras shaped his life. His most recent “baby” are the
power metal heroes of Death Dealer. Furthermore, the Ross-The-Boss-Band is
preparing to tour again, this time with American musicians. Ross cannot accept
a standstill. “My motto is: songs, songs, songs. And when you have written all
these songs, you continue: with songs, songs, and more songs.” It is precisely
this manic energy and the need for rock that catapulted MANOWAR in only six
years from a backwater rehearsal room to the rock ’n’ roll Olympus.
''We
met on English ground …'' A Fateful Encounter At heart, it is Ronnie
James Dio who has to be named the father of MANOWAR. On May 18th 1980 in the
City Hall of Newcastle, during the Black Sabbath UK-Tour, he established
contact between Ross and his pyrotechnician Joey DeMaio. Ross had recently
taken over the guitars for the French tour support Shakin’ Street: “At that
time, Joey was part of the Black Sabbath crew. Ronnie told me to talk to Joey,
that he’d be great bass player and that music-wise, he’d be on the same
wavelength as me. Since I always did what Ronnie told me, I approached Joey,
and we immediately connected.” It wasn’t only their common New Yorker origins
that brought together Ross and Joey so quickly. In 1980, after a rash of failed
projects, both were looking for new musical challenges. In each other, they
found the perfect partner with the definite will to make it big. Aside from
Shakin’ Street’s major label debut that Ross had recorded in 1980, his main
accomplishments at that time were the first three albums of the legendary
Dictators. However, Ross’ musical biography didn’t start with Punk, but with
the first violin in the orchestra of his North Bronx school. Beatlemania, the
Rolling Stones and B.B.King brought him to rock music and revealed to him the
magic of the electric guitar. Ross cracks up laughing when he remembers the
name of his first high school band: Total Crud. Equally obscure: his
involvement with the hard rockers Lyre, who only released three rare 7”s; “It
Could Be You”, “Hungarian Rocksody” and “Mirror, Mirror”. Joey could look back
at a quite similar career. 400 kilometers north of New York, in the provincial
town of Auburn, Joey had initially also started to play guitar at the height of
the Beatlemania, before John Entwistle and Jack Bruce brought him to play bass
instead. His first major gig took place on Broadway, when he played bass in an
early production of the musical “Godspell”. Together with the hard rock band
Feinstein’s Thunder he released the powerful single “Midnight Lady” and the
Buddy Holly cover “Slippin’ and Slidin’”. Thunder nearly meant the end of
Joey’s career, when during a bass solo the pyrotechnics set his costume on
fire. Joey was hospitalized for two months due to his severe burns, and only
through extensive therapy for his hands could he retain his playing skills. Another rather unusual
musical episode was when Joey and his former schoolmate Eric Adams joined the
salon band Looks and toured the hotel bars of the state of New York. 1984, Joey
remembers that time in Sounds magazine: “That was the reason we wrote ‘All Men
play on Ten’! Eric and I had been playing in a Holiday Inn-Band. After three
weeks I said: ‘That’s it! I’ll never brush my hair again, I’ll never turn it
down again, or use smaller equipment!’ We were fired anyway. For some reason
the guests didn’t want bass solos for dinner.” Loud amps, no compromises and
the absolute will to hit it big – no wonder that Joey and Ross immediately
connected: “After the Dictators, I wanted to do something bigger, with more
power and energy. A band like The Who, or Cream, or a classic power trio. Joey
wanted the same. He was a great fan of Mountain and Grand Funk Railroad. At one
point, we started jamming in Black Sabbath’s dressing room. Even back then we
loved to play it loud. As soon as Sabbath were on stage, we let rip. When they
had finished their set, Ronnie burst in, roaring ‘What the hell?? Have you guys
lost it?!’ (laughs) We then started doing it every other night. That’s how
MANOWAR got started.”
''And
we all knew what we had to do …'' World’s Loudest Flatmates The musical energy between
Ross and Joey in 1980 must have been breathtaking. Without any financial
security through other jobs or bands, they quit Sabbath and Shakin’ Street to
fully devote themselves to their new, big project. “Joey lived in my flat in
New York, and we immediately started to write songs. Our first tracks were
‘Shell Shock’ and ‘Battle Hymn’. A good friend of mine was Bob Currie, back
then a big shot at EMI. I invited him to my flat and we played our songs to
him. He couldn’t believe how the two of us managed to sound like that. It was
so loud and heavy we sounded like an entire band with drums and everything. We
played ‘Death Tone’, ‘Fast Taker’, ‘Battle Hymn’ and some other songs we had
written. That was just Joey and me. We didn’t have a singer, we didn’t have a
drummer, and we had never played live. We didn’t even have a name – but we had
the support of Bob Currie, one of the most important people with EMI.” With a
little front money from EMI, Joey and Ross went to Auburn in 1981 to record a
two-track tape with “Shell Shock” and “Battle Hymn” on it for the negotiations
with the label. EMI immediately signed them. Meanwhile, the dynamic duo had
grown to be a full-sized band. On drums, Carl Canedy of The Rods helped out.
Vocals were taken over by another old friend of Joey’s from the Auburn scene:
Eric Adams. If you measure musical success with chart positions, Eric was
number one in the MANOWAR camp. As the singer of the Teenie band The Kids, the
eleven year-old Adams had entered the Spanish hit parade with the single
“Lovin’ Everyday” in 1965. But when Joey brought the Ian Gillian-Fan and former
bandmate from Looks to join MANOWAR, Eric was working as a butcher at a major
meat market – and was commonly known as Louis Marullo. “He had two sons named
Eric and Adam. He took these two names on as a stage name. Back then,
pseudonyms were not uncommon with musicians in New York. I also didn’t act as
Ross Friedman, but as ‘Ross the Boss’. Family names that can be associated with
a certain ethnic group don’t sound very mysterious. Take for example Gene
Simmons. He didn’t go on stage as Chaim Witz, because it would have broken the
theatrical rock star image. It was similar with us. Marullo, Friedman – that
didn’t fit the Barbarian image we had chosen. In fact, it didn’t fit anything.
(laughs)” With the Liberty/EMI major
deal in their pockets, Ross, Joey and Eric – still without a drummer or a name
– had a quick start. What wonderful times for musicians: the label sent the
band for six months to Florida, where they were to rehearse, write songs and
record the first album – apartment, pool, rehearsal room, equipment and all
expenses covered. Producer Joe Foglia (later sound guy for the TV shows “Miami
Vice” and “Scrubs”) established contact with drummer Donnie Hamzik, and also
the band name dates back to the Liberty-financed Florida era: “Originally, our
favorite name was Pax Romana. ICBM – Intercontinental Ballistic Missiles – was
also up for discussion. (laughs) One day, our technician Dawk blurted out:
‘Manowar! How about Manowar?’ Joey and I looked at each other and just said:
‘That’s it!’ Because it reflected our attitude. With the tons of equipment that
Dawk had set us up with, we felt like being at war anyway. The name also
embodied our fighting spirit: Manowar was the name of a famous racing horse
that is today regarded as America’s most successful show horse of all time.
Then, it also means battleship – a very strong image that translates well into
the language of heavy metal. We were in Florida, we had a band, we had a name,
and we had a major deal. Ready to start at last.” Meanwhile, Bill Aucoin,
famously known as the “Father of Kiss”, had taken over the management of MANOWAR
and, through sappy interviews and a razor sharp profile, tried to establish the
band as the new Kiss. On June 7th 1982, “Battle Hymns”, with its mighty cover
art and immortal title track, was released. Every second of it made clear that
these were no amateurs at work. Being 28 years old, Ross, Joey and Eric brought
a massive amount of stage experience to the band. Because of their original
sound, Joey’s innovative bass play, Ross’ earthy riffs and the one-in-a-100
year voice of Eric Adams, the press immediately celebrated MANOWAR as a new
hope for American metal and as a substantial answer to “the new British bands”.
Shortly thereafter, MANOWAR played their first live show at Club Summers on the
Beach in Fort Lauderdale – naturally with full equipment. It should remain
their last gig at the location. The place had to be renovated afterwards. But Liberty had anyway
booked a complete US-Tour as opening act for Ted Nugent. What started out as a
triumphal march – MANOWAR outacted the Headliner night after night and
pulverized U$ 20,000 worth of pyrotechnics at every show – ended suddenly.
After only three dates, “The Nuge” kicked the young New Yorkers off the tour:
“When we were unpacking our equipment, the other two acts started looking like
a children’s birthday party” laughs Ross. With their support slot, also the
deal with Liberty was gone. There had been a change in the upper management,
and the sales of “Battle Hymns” fell short of the expectations. Their rapid
ascent was followed by an equally sudden downfall. The fall from major
label-heaven traumatized the band. From that time on, MANOWAR staged themselves
as outcasts, fighters against the industry and false metal, and the only real
metal band (alongside Black Sabbath). In countless excessively immoderate
interviews, the band spoiled their chances with labels, magazines and other
musicians rather early. With their fans however, MANOWAR allied to form a
sworn, quasi-religious community – until this very day.
''Four
sworn to vengeance, see the hate in our eyes'' An Extra Helping of Attitude Without the cash flow from
Liberty, not only manager Bill Aucoin made off; Donnie Hamzik, who didn’t share
MANOWARs no-holds-barred approach, also had to leave the band. With their U$
12,000 payoff, Ross, Joey and Eric entrenched themselves in their Auburn
rehearsal room and swore to strike back. Their campaign of vengeance found
powerful support: “Scott Columbus sat down at the drumkit, and after three
seconds we knew he was going to be our new drummer. He had a tougher punch than
every other drummer I ever played with. Scott didn’t know fear. I love that. I
am a punk rocker from New York, and I like guys with attitude. He got behind
the drums and just blew us away.” The wheels started turning
again when MANOWAR got the attention of Jon Zazula. In 1983, the epicenter of
American metal formed around his shop Rock’n’Roll Heaven in New Jersey and his
label Megaforce. With Metallica, Anthrax and Overkill, the former stock broker
had some of the hottest bands of the time on his hands. When he heard the demos
of “Into Glory Ride” – among them an early version of “Brothers of Metal” – he
took charge of the release and organized a series of live shows as well as an
appearance on Nickelodeon, a children’s TV channel. In gratitude, they signed
the recording contract with their own blood. “Into Glory Ride” was released on
July 1st 1983 and poses until today the central monument of epic metal. The
songs are mightier and more dramatic. The rock ’n’ roll edge of “Battle Hymns”
only shows itself on the opener “Warlord” (the intro was “performed” by Joey,
Eric and Eric’s girlfriend …). Scott’s iron punch lends hymns like “Gloves of
Metal” a hammering drive. The power of MANOWAR – and “Into Glory Ride” proved
that once again – lay in their originality. No other band, neither back then
nor today, had that unique sound. Out of the “Battle Hymns”-sessions, also
“Gates of Valhalla” made it onto the new record: “Our advantage was that
whenever we were in the studio, we recorded many songs that ultimately didn’t
end up on the album. From the phase between ‘Battle Hymns’ and ‘Hail to
England’, there are dozens of unreleased songs. One of the first pieces we
wrote around the time of ‘Battle Hymn’ and ‘Shell Shock’ was called ‘Golden
Ride’. It was never used. On another demo from that time was a track called
‘The Meeting’ and another one with the title ‘The Will to Kill’. That was in
New York, before Carl Canedy. My friend Rich Fazio helped us out on drums. Joey
should still have all these tapes.” With the legendary cover
of “Into Glory Ride”, also MANOWAR’s image came more to the point: “When we
were living in Florida, “Conan the Barbarian” was released. We were blown away:
‘Hey, that could be us!’ (Ross imitates Arnold Schwarzenegger). We wanted to be
exactly like that! The sheer power … The women should look up to us, and our
foes should tremble before us. That was the image we wanted.” Despite receiving
spectacular critiques, “Into Glory Ride” ultimately failed to facilitate the
leap over the Atlantic. On the eve of the planned European tour, the
tourbooker’s sister was killed in an accident. The tour was cancelled.
Frustrated, MANOWAR left Megaforce and signed with Music For Nations in London,
who had already licensed “Into Glory Ride” for the European market.
''The
quest for the grail, to England we sail …'' On the Zenith No phase in the band’s
history documented the creative power of MANOWAR as insistently as the time
following “Into Glory Ride”. The secret of steel: absolute professionalism and unconditional
devotion to the music. In only six days, the band recorded the two (!) classics
“Hail to England” and “Sign of the Hammer” (with the exception of the title
track) in November 1983. At Toronto’s expensive Phase One Studios, star
producer Jack Richardson flawlessly succeeded in casting MANOWAR’s pounding
live sound on vinyl. “Blood of My Enemies” and the satanic epic of the century,
“Bridge of Death” (later imitated by Quorthon) are absolutely singular until
this day. No other band ever succeeded in combining melody, pathos and
heaviness in such perfection. A big part was played by Eric Adams, who in 1984
coruscated at his artistic peak. With the support of Music for Nations, MANOWAR
finally broke into Europe. The “Spectacle of Might” tour in 1984 made for many
anecdotes. Already after the first show ensued the legendary fallout with
supporting act Mercyful Fate, whereupon – as legend has it – King Diamond
bestowed a curse upon MANOWAR. It didn’t hurt. For MANOWAR again managed to
switch to a major label with worldwide distribution. 10 Records, a subdivision
of Virgin, took over the band business and released “Sign of the Hammer” on
October 15th 1984. Before, Virgin had sent the band to the horribly expensive
Manor Studios in Oxford to add one more song to the seven already completed in
the sessions with Jack Richardson. Under the aegis of Oliver Platt came thus
the title track into being. It is remarkable how Platt managed to imitate Jack
Richardson’s sound, so that on the album, no rift between the material from the
two sessions can be heard. Tracks like “Thor (The Powerhead”), “Mountains” and
the apocalyptic “Guyana (Cult of the Damned)” finally established MANOWAR
firmly on international stages. No less than two extensive tours through Europe
followed; the “Sign of the Hammer”-Tour in 1984/85 and the “Hail To
Europe”-Tour. “We played many venues we’d never been to before, the Hammersmith
Odeon among them. We also got the offer to open for Whitesnake. But they said
we could only perform if we wouldn’t wear our leather outfits. We said: no, we
don’t think so.” Still: in Europe, MANOWAR had found their second home.
Drums
of Doom - The Curse of Technology After a – for the band’s
standards – unusually long hiatus of approximately three years, “Fighting the
World” was released in 1987 – and met mixed reception. The commercially
arranged album marks a departure from its barbarian predecessors. It is not
only a transitional musical work, but was also marked by the tensions that were
beginning to take hold of the band. The extensive touring for “Hail to England”
and “Sign of the Hammer” was followed by the old game. 10 Records dropped the
band. Via an acquaintance, Ross established contact with the major Atlantic
Records. But Atlantic had no interest in buying a pig in a poke. With a small
budget, MANOWAR entered the studio to record a demo. Together with producer
legend Eddie Kramer (Woodstock, Jimi Hendrix, Humble Pie), a whole range of new
songs were developed: “Courage”, “Number 1”, “Brothers of Metal” and “Blow Your
Speakers”. The last two tracks were sent to Atlantic as a two-track tape, who
subsequently signed MANOWAR. The 1986 version of “Brothers of Metal” is
circulated on the internet today and clearly outshines the official “Louder
Than Hell” (1996) version. “Courage” and “Number 1” were later also used by
Joey on “Louder Than Hell”. Apart from the simple
songwriting, for instance in “Carry On”, it was the polished sound of “Fighting
the World” that alienated many fans of the band. The working practices of
MANOWAR had started to change considerably: “A problem had arisen while
touring. We couldn’t hear the drums on stage anymore, mainly because our amps
were so damn loud. Through Dawk, we found Vince Gutman, who had worked for
Prince and Bruce Springsteen. He had developed a trigger system for drums that
he used to produce those big artists. So around that time, we started to work
with triggered drums when playing live shows. At the studio, Vince then brought
along a device called Synclavier. He explained that we could use it to develop
drum tracks and edit them on the computer afterwards. In the studio, I like to
work conventionally, but Joey insisted that we also use the digital drums for
recording. On ‘Fighting the World’, Scott already didn’t play the drums
anymore.” The disagreement
surrounding the legendary “Drums of Doom” also reveals that the mood in the
band increasingly deteriorated. Especially Scott, who was now not heard on the
finished albums anymore, suffered from the changed recording conditions: “Scott
went through with all of that because he was a good guy, but I know how unhappy
it made him. He also hated playing live with a triggered system. Scott wrote
some of the drum beats, and he also recorded some cymbals. But the drum tracks
were created with the Synclavier, on the computer. That started a pretty
negative psychological development with him. He felt depreciated and said he
was probably good enough for the stage, but not for the studio anymore. It
really preyed on his mind.” A weakness of the album also lies in that you could
hear in many songs how MANOWAR struggled with the still unfamiliar digital
technology. Particularly striking is the awkward programming of the absolutely
identical sounding hi-hats on “Holy War”. Despite all its deficits, “Fighting
the World” was MANOWAR’s final breakthrough in Europe. Until today, the album
that is regarded as one of the first metal albums with a fully digital
production, sold 300,000 units in Germany alone. The impressive sales and an
unrelenting tour schedule notwithstanding, the band earned little money with
it: “Joey and me held fifty percent of MANOWAR, respectively. Of the money we
earned with the band we paid Scott and Eric. The rest we put in new equipment.
Joey never needed much himself, because he lived with his parents in Auburn.
But I had to pay for my apartment and my car. So from the beginning of MANOWAR
on, I worked in parallel in construction. We controlled the works at the
highways. I can imagine many people find that hard to believe, but if you live
in New York City, you need a lot of money. What I earned with the band was
never enough to survive.”
''They
were the Metal Kings!'' Divorce Amongst the Gods After some successful
touring (i. a. with Motörhead), MANOWAR retreated again to record their magnum
opus “Kings of Metal”. Even though Scott Columbus again can’t be heard on the
album, the result sounds more confident than the unsteady “Fighting the World”.
Exceptionally aggressive hymns like “Hail and Kill” or “Blood of the Kings”
reclaimed lost ground. Furthermore, no other band at that time would have dared
an overwhelming, megalomaniac bombast track like “The Crown and the Ring”. In
sum, “Kings of Metal” is a masterful work and one of the most lavish metal
productions of the 80s. Again, Universal Studios in Chicago and the digital
skills of Vince Gutman assumed responsibility for the complex sound. But as the
band had come to terms with the altered circumstances of production, their
disagreements concerning the songs were on the rise: “I never liked
“Grandfather, tell me a story …” (imitating the voice). Another song that
really upset me was “Pleasure Slave”. I told Joey that we definitely shouldn’t
release this song. He just said: “Yes we do.” My opinion didn’t count anymore. Right
up to the point where I realized how things were going to turn out.” But
disputes between the two heads of the band also flared up on another front.
Just like “Fighting the World”, “Kings of Metal” flopped in the USA. Ross
thinks he knows the reasons: “Our albums flopped because we never toured the
US. That finally broke our back. Joey just didn’t want to tour without full
equipment. I suggested to him that we just take two full stacks and play every
damn club in the USA. Anthrax did it, Metallica did it, Slayer did it. Joey
refused. Then the whole bullshit with ‘Death to False Metal’ started. The fans
had already begun making fun of us. You can’t go and tell a fan ‘If you like
Manowar, you can’t listen to Slayer, Metallica or Anthrax anymore’. All that hurt
us immensely, and it estranged us from the scene.” The end came shortly after
the completion of “Kings of Metal”, still before the planned European tour:
“’Kings of Metal’ came out in autumn 1988. I was really enthusiastic about how
great the album sounded. Then one day my phone rang. It was Joey, he said he
was in New York and wanted to talk to me. I suggested he’d come over so we
could share a beer, have some fun. He then said it was time for me and the band
to part ways. I asked him: ‘What’s now with the four kings of metal? You
couldn’t have picked a worse timing, Joey, could you?’ That really hurt. But it
is probably like a marriage. We started the band as partners, and then we
drifted apart. I am proud of my time with Manowar. Joey and me were like Yin
and Yang. But the Yin can’t ying without the Yang. (laughs) A prize fighter
can’t win with only one fist. But fortunately I have all my other bands. I
couldn’t be happier.”
translated from German
(contact: youthanasia_now@yahoo.de) written by Manuel Trummer
for DEAF FOREVER Magazine #10 (02/2016) get it here: https://shop.deaf-forever.de/ |
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Madafaka
Groupie Joined: 19.Nov.2007 Location: Slovenia Status: Offline Points: 660 |
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Hvala za tole, zanimivo branje.
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Raul artista, siempre Madridista!
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